Thursday, November 24, 2011

                                             The Blurry View Of My Notebook From The Philippines

WRITING FROM ANOTHER LAND
By: Iris P. Concepcion

"The forces of globalization have brought rapid social transformations in many parts of the world. Inter-faith dialogues and multiculturalism have become an integral part of promoting harmonious inter-community relations----especially for minority communities. The Thai Muslim community, who are the dominant minority in Thailand, are also facing similar challenges."---from "Peace of Writing, Piecing Worlds Together, A compilation of Student Essays on Thai Muslims and Social Harmony produced by the Office of Policy and Planning, Ministry of Foreign Affairs of Thailand, Sri Ayudhya Road, Bangkok. Designed and Published by Asian Integrated Media Company Limited, Surawongse Road, Bangkok. Given freely among tourist and other visa applicants at the Thai-Consulate General Embassy, Kelantan, Kota Bharu, Malaysia along with other Thai brochures. The compilation includes writing Thais who had studied in different United States universities.

When I renewed my visa requirements at the Thai Consulate General Embassy in Thailand, I had stumbled upon an array of brochures and writings about Thailand:  from the most prestigious public relations firms down to the specials made for international magazines like Time, Inc.

A compilation of essays titled "Peace of Writing, Piecing Worlds Together" stood out from among the shelf: it bears multicultural pictures of young adults in circle and the texture of print and lithograph is comely. I am always mistaken as a teacher hereabouts; it must have come from my manly blazer and slip-on sandals. The bag that I normally lug when I travel here, a Morco variety in canvass with extra large industrial zippers stitched on its sides, must have added to the clue as to my occupation and citizenship.

While I adore freely the pop intrusions of buildings and structures in my forays around this creatively rich country, I am likewise interested to know how its young people think when exposed to the outside world.  I have not met a single artist here who professes to practice his craft in professional "artistry".

I have, nonetheless, met people on the road, train, bus and taxi who had fully enriched  my capacity to think and write. My appreciation of things had looked glimmier. I have seen different colors of people and their various shapes. I could never have dug from my soul the depth of humanity's access to the universe had I been so engrossed with formulating names for boybands over bottles of cheap beer.

An elephant surprised me on a road, good-looking men in immaculate shirts hopped in trains better than Harper's cover designs, a tot in kimono dress with pink sash was carried by a burnt guy, hurrying up to climb on a train coach. These are my kind of artists.

Most importantly, I have spoken, without any language barrier, with people from all walks of life: whites, browns and yellows. I did not form any prejudice for their mahogany-skinned difference.

What specifically strikes me as exceptional in this body of writings is the way these young people had truly studied the history of their country. Some had been sent in United States universities for higher education; their probing on the local culture had definitely shifted to another gear of knowledge: elimination of bigotry for full, intellectual integration.

Instead of closing themselves up to their own group or hobby preference, these young people reached out and immediately spotted the dynamics of  these various cultural differences.

In fact, a sentence, written by Rashee Pandey, a beautiful Thai studying at Ekamai International School, correctly nailed the plight of Thai Muslims as seen from her young eyes.

She wrote: "This was a brilliant move made by the government towards the progression of juvenile Thais. Seeing the current situation, Muslims in the Southern Border Provinces (SBPs) have lower levels of educational attainment compared with their Buddhist neighbors."

She had likewise continued: "Youths in the SBPs are not given a quality education because schools are being burned down by insurgent groups."

If only we can yield the same insight from our young people in the Philippines who are immersed in other countries, they might see our country in a different light. They could attain more focus and vision for the places they had seen instead of being gulped down by the new dimensions of cross-cultural cohabitation where they could lose their sense of  identity and heritage.

Here, I am more inclined to infuse rather than diffuse, mix rather than disintegrate, blend rather than corrode.

I wish for these essays to be replicated in the Philippines, for people who had been given scholarships abroad. Create a competition pool among these young expats and provide an elbow room from where they could transplant their own identity vis-a-vis the foreign ones instead of totally adopting in thinking and creativity the culture of their adopting country.




Thursday, November 10, 2011

                                                  Picture Shared In Facebook. Artist Unknown.

ON KELANTAN ORIENTATION
By: Iris P. Concepcion

I am Sirigenan Khunmikal in the Circus of Dreams, lone voyager, keeper of the train wheels.

I finally learned the meaning of nama penuh (full name), a Bahasa Malaysian term for stating your full name. This is my third visit to the southern part of Malaysia via the railway and bus, the cheaper means of reaching this place where city structures are erected to blend with the old ones without the pandemonium of cultural clashes.

I had learned the word from my front desk hotelier, Sitti (stated without a surname), a lodging inn that is only one degree higher in accommodation amenities than the regular backpackers' inn one can find inside Kota Bharu, Kelantan, Malaysia's citified area. I was asked to register with my full name, address and passport number, a requirement for guests. It proved handy when I was browsing a German Shakespeare and a French book on the desk floor: I saw a young girl, mocha-skinned with the most remarkable marble eyes. I used my newly found words to strike a conversation with the young traveller.

She answered with a big smile on her face: "Fayada."

She and her family are occupying a two-bedroom accommodation. She is bringing conveniently-bought food items from the 7-11 store beside the inn.

Kelantan is observing a two-day holiday in commemoration of Guti Sempena Hari Raya Eidel Adka when I arrive and the embassies are closed. Most of the commercial places are likewise not open for business, except for these gustatory enclaves known for its western affiliations: McDonald's, A&W. Pizza Hut, KFC and the mall, Parkson. Muslim men and women and the Chinese had filled these establishments with their bargained food items, reduced for the holidays.

Everything goes for 5.95 ringgit (50.95 baht, P50.95 Philippine peso) at McDonald's during lunchtime with a complete set, inclusive of soda and large french fries. I know that I had been triumphed when I saw the food consumers enjoying their huge hamburgers and splattered catsups in sachets. All the banks are likewise closed. People are waiting outside to encash their riches but as the guy at 7-11 had rightfully predicted:

"That can only open tomorrow," with a cheshire grin on his face as I anxiously ruminate where they can probably stay when all the hotels seem to be fully booked.

My train ride back to this city brings a lot of natural splendor, creatively grown bigger with annotations of their origins. It seems that God had placed them where they could emit melancholy, awe and satisfaction from people on board the train. I have seen the habitat of fat cows, white flying doves and carabaos on vast horizons of green fields looking like Discovery Channel subjects.

My favorite bread corner here is Kedai Kopi's Muhibah Paraiso with its luxurious M insignia, exacting from people opulent slices of cakes in spectacular make. I have never seen pastries and cakes wondrously created as these: they are covered with strawberries, kiwi, peaches and apples in large portions on top and are sprinkled with the curliest white chocolates  resembling teddy bears' fur. They are priced at 58 ringgit; fruit cocktails and strawberries de luxe spread on their icing like they had been picked from the giant branches of the wilds.

Its German forest variety, resembling our Black Forest fare in the Philippines, seems to be forlorn with its solitary cherries but the symmetry of orientation on where we place our craftsmanship has ended on this piece of dessert. These designs befit the beautiful visages of Canterburry's Fairy Tale stories.

I had laughed at one particular concoction. In addition to Disneyland  characters that had crept in the birthday cakes, Duffy Duck, Mickey Mouse and Goofy now have a companion with the new, sensational cartoon character embraced in Thailand like their King's own. From Haad Yai to Butterworth, it has become a significant face of pop importance: Angry Bird. Malaysia is embracing this flying commentator too.

Out of my fascination for these items, I am compelled to quote the French book lying in my inn.

"Mais nous, lecteurs, contrairement a eux, avons le privilege de 'etre dans la confidence de chacun...."

I never understand French but I know the meaning of these evocative words, rendering the lectures conversed and undergone, from the humidity of Mindanao plains to the aborigenic tendencies of Thailand's southern field drawls.

Inside this bustle of people in transit driving and marketing, collecting money from ATMs and other monetary hides, I saw a human aberration:  a child of unproportionate dimensions. His head weighs like a 5-kilo melon sized fruit in concave form. He is placed inside a  "cariton" (rolling, wooden carriage) with a container where people could place money, perhaps, berserked by his unnatural anatomy. In this portion of the  Earth, deformity and abnormality invite piety and donative  power.

I am starting to believe that somewhere else in that remote village overlooking the egg-shaped mall, a baby with a pigtail can realistically exist. This made me recall the Circus Town visiting my old hometown during municipal anniversaries where you are required to pay hard earned coins to watch spectacular freak shows like men with seven feet or Wonder Boys with oversized anatomical parts protruding out from bodies.

I have likewise browsed Malaysian newspapers (Panca Indera, Mingguan Malaysia and Metro Gigs) and try to emulate the diphtongs of the easy phonetics accompanying the words. I have likewise seen John Grisham titles and David  Heddles' "Pour Tout L'or Du Monde" where I extracted the above French excerpt for me to sound cosmopolitan. I do not think the other inn frontliner named Faye, a guy with a hat and fit shirt, had shuffled these titles together in this nook.

All floors at my inn have ironing boards with steamer capabilities. All wrinkles get vanished in just one press.

Only in Kelanta. This is Kelantan.

From my quick lunch grab after all these human purveying, an American (his accent is evident) passes by, carrying  food inside a plastic container. It looks appetizing and I ask him where I could get his tummy loot.

"It is in that corner. Here, you can have it," extending to me what looked originally like a chicken meat but is actually a sweetened banana when I took a bite.

It is called "turon" in the Philippines. Here, it is whitened with a pudding-like taste. He went on surveying the fields of structures and I do wonder what his comments would be on that big-headed boy wrapped in a warm blanket being paraded in public view for compassion.

I have read books by Kelantan sidewalks, with literary poetry for Grades 4 and 5 pupils. Their examination questions are punishing but entertaining. This city's Notary Public (stale)  is called Commissioner Of Oaths (exquisite). Not a bad tag for a man engaged  in authenticating  public documents and is practicing the law profession.

On my second day in this republic of wonders, I tried its Kedai Makan Ummi's restaurant where menus are rendered obsolete by the proximity of the dining tables to the kitchen. One can order almost anything without knowing the dishes' names. I simply placed my orders by pointing at the mouthwatering fares of my seatmates. Woe are the people who might get stuck on diners with poor food choices.

Luckily for me, a roasted Peking Duck with hoisin sauce (I never miss that fare: I could not afford it in the Philippines) is hoisted without any takers. I had to claim it as my order least someone would beat me to the food race. I likewise pointed at the fried rice with green leaves and meat that looked different. I was served first a fried rice with a yellow color; I politely returned it after tasting its rather sad, three granules.

I said "I want that," pointing at another seatmate with the goodlooking fried rice and shrimps in soy sauce. The chefs in the kitchen whom you could talk to in case you need variations, acceded. I waited for my rice in both bewilderment and consternation. There had been mix-ups as shakes, fruits and juices land on other tables and had to be re-arranged to their proper owners. I did not order milk tea but was still served one. I have no other choice but to drink it.

My fried rice arrived with the attendant chilis. I forgot to instruct my chef that I do not like spicy food. Nonetheless, the first spoon of rice captured my mouth like a mini volcano; it did not sting but tasted what could be the flavor of the whole Mediterranean sea. My original chef pass me off to other chefs for my proper taste buds and it is funny as hell as the food rotation seems not to know any order nor symmetry.

Finally, I collect my visa (granted without hysterics) and is glad to meet Filipinos at the Thai Embassy having their passports stamped too. They came from Quezon Province.

A Nigerian, fulfilling his visa requirements, ask me if he could tag along  as I head my way back to the main city. We compare each other's lodging amenities. I brag about my modestly priced room; he has holed up himself inside his hotel  at a steeper price and is, according to him, Facebooking all day due to the holidays. He wants to see my room; I said he could wait at the ground floor or buy drinks from 7-11 as I collect my bag. He has never seen this side of the place. I wonder why he has not gone out to enjoy the city that promises a lot of surprises with its magical spells and dark moors.

I can see from his face that he is quite flabbergasted by the immense designs of the banks (Islamic) and batik houses that easily resemble art museums.

He says this as curtailment to my own tourist advices: "You do like the big city huh?"

I reply: "I like any place where I can set foot without a bother. See that? That egg-shaped building is a mall."

Like Houdini, I show him a book I had obtained freely from the Thai Embassy titled: "Peace Of Writing, Piercing Words Together", a winners' selection of student essays on Thai Muslims and Social Harmony as we are walking. He asks for its price. I reply, one can get it without paying from the Thai embassy.

At this point, he seems to be teary-eyed for no apparent reason and when he asks me where the bus station is, I eagerly show him the way. The area is wide open as it faces the egg-shaped mall. He mutters:


"How much is the taxi fare going to Bangkok?".

I said he can go with me at the border bound for Thailand and from there, take its futuristic bus rides to Bangkok. I further implore that he could ride any  bus and that he could reach any place with its transnational destinations as he wishes.

I ask him if he likes to grab a bite at McDonald's but he begs off from my charitable offer. I advise him the rates of fare going to the Thai border. He walks away from me like he has never known the road where we had previously creased our shoes.

On my train ride back to Yala, fellow passengers include a British guy bound for Champon. It is a small island for water revellers, he says. Another one is disembarking at Chana. A young girl, a British-Malaysian, is with her mother. She has not been to London but has mentioned her place in Malaysia where McDonald's also exists. We know our rapid way back to our original destinations despite the severe and stern warnings in that station of elbows getting cracked and bags flying off from roofs like the Persian carpet  of the old tales, immortalized in advertisement signages.

Sungai Kolok, the first train station at the border,  is fearsome only when you get past by its train advertisements and television shows. On the train itself, a gaggle of boys in sweet but smart street gear hop in looking like The Beatles. Their shirts are fearless (The Who, Life Is Music, Hawaiian polos, Cute Headgears). Even their eye glasses compete with all the eyeglasses combined in these coaches. These rock musicians are polite; they carry the Muslim women's bags and are overtly benign and peaceful.

Yala, at half past four in the afternoon, finally opens its gates spocked with school establishments for me.

I could never get lost here, in this city/municipality of renewed faith and expectation.

Friday, November 04, 2011

 
         From Nick Gonzaga's Facebook Account As Shared, A Townmate. Photographer And Graphic Artist Unknown.

ON THAI WRITING
By: Iris P. Concepcion

"I did not wake up to the cuckoos of chicken/
Nor was rattled by the chirps of birds/
No, I woke up/
With a brush on hand/
Where after taking a cozy dump
From it, the bathroom, speckled."
                                       ---Iris P. Concepcion

(Appendix A: "it" refers to tile brush).

I am compelled to up my ante of vertebrate/invertebrate writing.  I am not aware that I, Lady UnBhagdad, is competing with Pulitzer and Booker prize winners with their characters driven away by brooms; where their butts grow pigtails; where their bed grunts mock the horror; where teardrops are tripled to rival my quadrupled eye droplets. To illustrate: !!! = !!!!

My imagination has clouded these words:

"My protagonists and antagonists, from preface to closing paragraphs, shall be best remembered for their sitting arrangements, in silent torture, eyeing each other with caution, imagining a house without chairs."

Franz Kafkan reference required, particularly Gregor's imminent transformation from a human being to a gnome bug.

I had coined the Word World first.  I was not even remotely aware my two cents of lettered contribution shall spawn a novellete that could shame Jane Austen.

I never understood then why my deceased father was insanely intelligent even when knowingly flawed; shuffling pictures worth the frames; stuffing my vocabulary with words I could not even pronounce.  I did not even know he had drawn Sesame Street cartoons.  I did wonder why his version of Big Bird was the exact replica of the talking, feathered teacher as he had appeared on our Philips television set. I was born out from his cranium and this explains for my artistic, DNA obscurity too.

How was I, a member of kindergarten class, with pony tails and peeking ruffled underpants, sitting on top of my father's personally crafted fairy tale frogs fit for royalty, to know my lineage had originated the characters I have grown to love and adore on screen?

 "Shoo fly, don't bother me (repeat 3x)
For I belong to somebody.


I feel, I feel, I feel
I feel like a morning star
I feel, I feel, I feel
I feel like a morning star."

Another one of his nursery music that is quite a notch higher than the random, A,B,C,D,E,F,G listing. This eventually appeared in a compendium of recorded music titled aptly: "All Around The World."


A visiting writer, pilgrim too untold, was dispatched all around the universe immortalizing his river, had this to speak:

"My father and your father are good  friends. You see, they are both brilliant."

His eyes sparkled, lingering not on me, but to an added visitor of our conversation, proud and humbug (rightfully so) as if to declare that we had been sired  from the seeds of brilliancy.

I believe, sages of the foggy mists and mountains, that dreams are pure inventions of our imagination that could, exasperation withheld, come true.

I think unknown authors and Aesop fables, unmarked paintings, unbranded and raw, travel through time faster. They too, lastingly, endure.

Thursday, November 03, 2011

From Katrina Basnett Kerry's Shared Facebook Account. Artist Unknown.

Superheroes
By: Iris P. Concepcion

And through that door
The Justice League
Skipped the gadgets
And relied on supernatural hindsight.

The world tumbled
Spun in oblique catastrophe
Of vultures and birds
Of betrayal and rekindlement
Of fortune reversals
And boomed hypocrisies.

Paramount to this is written:
Salvation and glory.

Whereupon I stand, scribbling
Flabbergasted:
Superman had sat down on the unhero: Lazy Boy.

Tuesday, November 01, 2011

From Taj Travels Site On Facebook As Shared. The New Noah's Ark.

ON DEATHS AND FOOD
By:  Iris P. Concepcion

I was once fed on fables about flying carpets and chocolate houses. Brothers' Grimm's Fairy Tales stood tall among these books as they are lined up in a mini-bookshelf obscurely adorning a part of the old house of my childhood with its darker stories. Hans Christian's tales are more on the fancy side with superlative gowns and happy endings, of palaces and gorgeous men and women.

Tombs had often placed top on my list of improvised architectures and could always sneak into pictures of fairy tales and sunder yores of the old folktales. Dead people could use elegantly decorated urns and tombs and I had seen one in Luzon, Philippines where the cemetery is filled with house-like amenities (comfort room, kitchen and sala).

I am fashioning out my stories from here onwards as a character within these folklores; of protecting the jilted and the downtrodden, of taking the cudgels for those who take justice onto their own hands. Thus far, the fusion of adventure, comedy, fantasy and magical realism had delved into wondrous lands of expectations. Those who can't afford to keep pace with technology  had been brought under fire in these magical spells and flying beds.

How soon can the neathers of Earth assume their ghostly spirits, even not in Zombie forms? Asian flicks had made a cult out of the horror genre and it has spawned the darker minds of the artistic into newer undergrounds of the occult. Even domestic tussles had undergone more artistic refurbishings via hoodlum tactics and bewitched angles, all for the dissection of the epical world of the dead. If ghosts could talk, how could they eavesdrop on the humdrum exchanges between couples caught in surprised unions? The magical carpet could provide an answer but only for the loomed film of Tim Burton's calibre.

What comprises the dead man's cutlery and cupboards then? Aside from the resurfacing cut underwears filled with blood and gore, we can perhaps itemize the loot as these:

1.) Delivery food done through phone from a cook coming from another town.
2.) Cases of beer, unkept. Grilled food and crackers to match.
3.) Rowdy singing on karaoke with unpalatable messages.
4.) Discarded beer cans and medical pills.
5.) Ransacked toilet covers and crashed mirrors.
6.) Constant yellings of threats.
7.) Muddied tiles and splatted food.
8.) Disjointed hangers.
9.) Lost souls.
10.) Unredeemed dignity.

Thus far, the script for the underworld has yielded churns and churns of wonderful yarns, both educational and transparent. A lot had joined humanity's embraceable new world though: of their chocolates and milk, of their perfect houses and paved ways. That is the foil to a grim world where Leviticus rules. In this story, biblical passages from the Romans chapters are more often quoted and had known skimmed drinks with nutritional value worth the pound of Superman.

To recapitulate, the list now goes:

1.) Homecook meals.
2.) Milk and energy drinks in neatly packed bottles.
3.) Teaching and writing. Educational tours on the forests and the wilds.
4.) Recycled cans and reusable boxes.
5.) Showers and improved toilet bowls.
6.) Debate forms on real, intelligent conversations. Polite exchanges.
7.) Mopped floors.
8.) Sturdier hangers.
9.) Redeemed souls.
10.) Reclaimed dignity, unlawfully tarnished.

Being dead is a journey on the impossible begetting the possible under the knowing hands of the All Powerful Almighty.